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12/09 (Fri)

09:00-12:00,13:30-17:00

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Convergence of Nature and Culture: Seeing Tamsui through Artists’ Eyes

Surrounded by mountains and a river, Tamsui, which used to be called “Hobe”, has always attracted senior artists in Taiwan. Exotic and traditional buildings left by the Dutch, Qing Dynasty, and Japanese feature in its historic characteristics, attracting wandering literati. Artists are also inspired by this historic town. The paintings of Tamsui are a spectacular page of Taiwan’s art history. By following in the steps of Taiwanese artists Chen Zhi-qi, Chen Cheng-po, and Yen Shui-long, let us start a journey through Tamsui across time and space!

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Our Special Collections
Propagating Political Views to the Public –  From New People’s Society to The Taiwan Shinminpo

Yang Zhao-jia, one of the leading figures of the New Cultural Movement in Taiwan under Japanese rule, once said, “Newspaper and parliament are the two major driving forces for the promotion of civilization and social development.” Hence, the two core missions of the Taiwanese Cultural Association were running a newspaper and petitioning for the establishment of a Taiwanese parliament, which embodied their stand of unarmed resistance against colonial racism and had far-reaching impact on the enlightenment of Taiwan’s national consciousness.
2021 marked the centenary of the founding of the Taiwanese Cultural Association. In commemoration, the Archives organized a feature exhibition on The Taiwan Shinminpo, the only private Taiwanese-run newspaper during the Japanese colonial era. Selected collections of historical materials including personal documents, image data, diaries and passports were displayed and reviewed to illustrate that The Taiwan Shinminpo served to awaken and enlighten the people, boost national morale and propagate their political views to the public. Echoing the founding goal of the Taiwanese Cultural Association, The Taiwan Shinminpo opened a new page for Taiwanese to strive for democracy and freedom with a foothold in Taiwan and eyes looking at the world!

United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period

A digital collection of archival documents has been in development over the recent years under the auspices of the Archives of Institute of Taiwan History, Academia Sinica. It includes the profiles of such artists from the preceding generations as Chen Cheng-Po, Yen Hsuei-Long, Chen Chih-Chi, Pu Tian-Sheng, Liu Chi-Hsiang, Kuo Hsueh-Hu in addition to papers of the nature of cultural patronage from Yang Zhao-Jia as well as private collections of works of calligraphy and painting and other historical materials. This article focuses on the activities of important artist groups that Taiwanese painters helped to create during the first half of the 20th century. Through selected private manuscripts, letters and documents, images, newspapers and magazines housed in the Archives, the exploration of interactions between various parties in the history of modern art - including individual artists, the painting groups and their patrons - reveals how the arts and society developing in parallel and prospering in unison!

Bubonic Plague, Cholera and Influenza in the History of Communicable Diseases in Taiwan(1895-1920)

In view of the prevailing COVID-19 pandemic, the Institute of Taiwan History has chosen ‘Outbreaks of Bubonic Plague, Cholera and Influenza in Taiwan under Japanese Rule’ as the theme of the exhibition for the 2020 Academia Sinica Open House. A selection of photographs, illustrations of publications, postcards, official documents, diaries and other collections bears witness to the history of how the inhabitants of this island fought against communicable diseases a century ago.

Cross-Boundary Dream Pursuers: Taiwanese Painters’ Trajectories in Foreign Countries during the Japanese Colonial Period

On the Open House day in 2018, the Archives of the Institute of Taiwan History featured an exhibition, Travel Memories II—Taiwanese Painters’ Landscape Sketches, from digital records collected by the Archives in recent years. This exhibition selected four Taiwanese painters, Yen Shui-long, Liu Chi-hsiang, Chen Cheng-po, and Kuo Hsueh-hu, by presenting the records of their passports, certificates, photographs, correspondence, and paintings and exploring their life experiences of practicing goals, embarking on adventures abroad, and contributing to society. Let us trace the senior painters’ paths of crossing borders and pursuing dreams by appreciating these precious records and the abundant colors in their paintings!

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