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United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period

Publication date: 29 Jun 2021
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

A digital collection of archival documents has been in development over the recent years under the auspices of the Archives of Institute of Taiwan History, Academia Sinica. It includes the profiles of such artists from the preceding generations as Chen Cheng-Po, Yen Hsuei-Long, Chen Chih-Chi, Pu Tian-Sheng, Liu Chi-Hsiang, Kuo Hsueh-Hu in addition to papers of the nature of cultural patronage from Yang Zhao-Jia as well as private collections of works of calligraphy and painting and other historical materials. This article focuses on the activities of important artist groups that Taiwanese painters helped to create during the first half of the 20th century. Through selected private manuscripts, letters and documents, images, newspapers and magazines housed in the Archives, the exploration of interactions between various parties in the history of modern art - including individual artists, the painting groups and their patrons - reveals how the arts and society developing in parallel and prospering in unison!

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Our Special Collections
Records of Guanxi Region

Author: The Archives of Institute of Taiwan History

The development of Guanxi area began in 1791, when Wei Agui of Zhuqian Village arrived the east side of Xinpu. This collection comprises land records, personal contracts, licenses, and allotment agreements among devisees of the Zhang family of Hudu Village, as well as relevant documents about Wei Agui’s offspring. It is a source for understanding the development of Guanxi area, especially the developing trace of the Zhang family, the uniqueness of Hakka written language, and the early interactions between the plain aborigines and the Han settlers. Besides, these documents are precious for studying women’s life from the late Qing to the early Japanese colonial period.

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