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United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period

Publication date: 29 Jun 2021
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

A digital collection of archival documents has been in development over the recent years under the auspices of the Archives of Institute of Taiwan History, Academia Sinica. It includes the profiles of such artists from the preceding generations as Chen Cheng-Po, Yen Hsuei-Long, Chen Chih-Chi, Pu Tian-Sheng, Liu Chi-Hsiang, Kuo Hsueh-Hu in addition to papers of the nature of cultural patronage from Yang Zhao-Jia as well as private collections of works of calligraphy and painting and other historical materials. This article focuses on the activities of important artist groups that Taiwanese painters helped to create during the first half of the 20th century. Through selected private manuscripts, letters and documents, images, newspapers and magazines housed in the Archives, the exploration of interactions between various parties in the history of modern art - including individual artists, the painting groups and their patrons - reveals how the arts and society developing in parallel and prospering in unison!

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Yang Yun-ping Papers (楊雲萍文書)
Yang Yun-ping Papers (楊雲萍文書)

Author & Photo: The Archives of Institute of Taiwan History

Yang Yun-ping (楊雲萍, 1906-2000), who had a real name “Yang Yo-lian” (楊友濂), was one of the founders of the “Everyone” (《人人》雜誌), the first vernacular literary magazine in Taiwan. He was mentored by Kawabata Yasunari (川端 康成) and Kan Kikuchi (菊池 寛) when studied at the Institute of Japanese Culture in Japan, and that made great impact on his creative style. Yang began to dedicate himself to researches on Taiwan history and culture after returning to Taiwan, and got a teaching job at Department of History, National Taiwan University in 1947. The Yung Yun-ping Papers contains various forms of correspondence with government agencies, non-government organizations, and individuals as well as his manuscripts, with coverage date from the mid period of Japanese rule to post-war period.


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