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Convergence of Nature and Culture: Seeing Tamsui through Artists’ Eyes

Publication date: 09 Oct 2018
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

Surrounded by mountains and a river, Tamsui, which used to be called “Hobe”, has always attracted senior artists in Taiwan. Exotic and traditional buildings left by the Dutch, Qing Dynasty, and Japanese feature in its historic characteristics, attracting wandering literati. Artists are also inspired by this historic town. The paintings of Tamsui are a spectacular page of Taiwan’s art history. By following in the steps of Taiwanese artists Chen Zhi-qi, Chen Cheng-po, and Yen Shui-long, let us start a journey through Tamsui across time and space!

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Yang Yun-ping Papers (楊雲萍文書)
Yang Yun-ping Papers (楊雲萍文書)

Author & Photo: The Archives of Institute of Taiwan History

Yang Yun-ping (楊雲萍, 1906-2000), who had a real name “Yang Yo-lian” (楊友濂), was one of the founders of the “Everyone” (《人人》雜誌), the first vernacular literary magazine in Taiwan. He was mentored by Kawabata Yasunari (川端 康成) and Kan Kikuchi (菊池 寛) when studied at the Institute of Japanese Culture in Japan, and that made great impact on his creative style. Yang began to dedicate himself to researches on Taiwan history and culture after returning to Taiwan, and got a teaching job at Department of History, National Taiwan University in 1947. The Yung Yun-ping Papers contains various forms of correspondence with government agencies, non-government organizations, and individuals as well as his manuscripts, with coverage date from the mid period of Japanese rule to post-war period.


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