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Cross-Boundary Dream Pursuers: Taiwanese Painters’ Trajectories in Foreign Countries during the Japanese Colonial Period

Publication date: 22 Apr 2019
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

On the Open House day in 2018, the Archives of the Institute of Taiwan History featured an exhibition, Travel Memories II—Taiwanese Painters’ Landscape Sketches, from digital records collected by the Archives in recent years. This exhibition selected four Taiwanese painters, Yen Shui-long, Liu Chi-hsiang, Chen Cheng-po, and Kuo Hsueh-hu, by presenting the records of their passports, certificates, photographs, correspondence, and paintings and exploring their life experiences of practicing goals, embarking on adventures abroad, and contributing to society. Let us trace the senior painters’ paths of crossing borders and pursuing dreams by appreciating these precious records and the abundant colors in their paintings!

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IV. Conclusion

Through viewing the precious historic materials left by the Qing official Shen Bao-zhen, the Hsu family enterprise Qian-he hao in Lugang, and the Chen family enterprise Tai-yi Hou in Nagasaki, we can glimpse the old capital of Tainanfu starting in the seventh century; the prosperous city of Lugang, which traded with Quanzhou, busy business center Bangkah which traded with Xiamen and Nagasaki. Tainanfu, Lugang and Bangkah not only witness the history of economic development in Taiwan, but also reflect Taiwan’s crucial role in East Asia.


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