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United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period

Publication date: 29 Jun 2021
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

A digital collection of archival documents has been in development over the recent years under the auspices of the Archives of Institute of Taiwan History, Academia Sinica. It includes the profiles of such artists from the preceding generations as Chen Cheng-Po, Yen Hsuei-Long, Chen Chih-Chi, Pu Tian-Sheng, Liu Chi-Hsiang, Kuo Hsueh-Hu in addition to papers of the nature of cultural patronage from Yang Zhao-Jia as well as private collections of works of calligraphy and painting and other historical materials. This article focuses on the activities of important artist groups that Taiwanese painters helped to create during the first half of the 20th century. Through selected private manuscripts, letters and documents, images, newspapers and magazines housed in the Archives, the exploration of interactions between various parties in the history of modern art - including individual artists, the painting groups and their patrons - reveals how the arts and society developing in parallel and prospering in unison!

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III. Lin’s Footsteps in Denmark

On October 27, Lin Xian-tang visited Copenhagen, Denmark. That day was a drizzling day. Lin and his sons toured all over the Langelinie Park. In the park, there is a bronze statue featuring a large-scale group of animal figures being driven by the Norse goddess Gefjon, which shows the importance of agriculture for Denmark. Because of the Gefjon Fountain, Lin Xian-tang figured out the reasons why the industrial development was not thriving in Denmark. That was because Denmark did not produce needed resources, which were coal and iron, for its industrial development. Many countries developing their manufacturing industry well had fewer agricultural resources; while Denmark’s agricultural exports were enough to support a country. Even though Denmark was a small country, people were able to be self-sufficient. As a result, people in Denmark did not have to join the competition in the international market. They were just happily being themselves. In addition, Lin also saw the famous little mermaid statue on the rock, which colored the beauty of the scenery by the seaside. (see Figure 5)

Figure 5: The Diary of Mr. Guan-yuan on October 27, 1927.
(Source: The Diary of Mr. Guan-yuan, the digital archives of the Archives of Institution of Taiwan History)


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