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12/05 (Tue)

Opening Hours 9:00-17:00

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100 Years of Taiwanese Voice & 30th Anniversary of ITH

The 30th anniversary of the ITH coincides in 2023 with the centennial of the launching of ‘Taiwan Minpao.’ Both institutions are important milestones for the people of Taiwan coming into the process of exercising their self-awareness, voicing their opinions accordingly and forging a consensus around the issue. With ‘100 Years of Taiwanese Voice’ and ‘30th Anniversary of ITH’ as focal points, the exhibition makes use of specially selected diaries, newspapers, old books, manuscripts and photographs retracing the 1920s and how contemporary Taiwanese popularized ideas by means of the press, thereby sowing the seeds of conviction for change. The founding and subsequent development of the ITH help to explore Taiwan’s journey from the yoke of martial law to the state of diversity as well as the evolution of Taiwanese history from a marginal academic discipline to a new frontier in mainstream academic research.

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VII. Bibliography

(by order of publication date)
1. Hsing-Yueh, Lin. “Taiwanese Artist Groups and Developments,” in Annual of Arts in Taiwan, Taipei: Hsiung Shih, 1989, pp. 513-520
2. Chuan-Ying, Yen. “Art and Literature Movements in the 1930s.” Collected Papers of International Conference for Taiwanese History during Japanese Colonial Rule, Department of History, National Taiwan University, 1993, pp. 535-547
3. Chuan-Ying, Yen. “The Division and End of Later Art during Japanese Colonial Rule.” What Is Taiwan? Collected Papers of Modern Taiwanese Art and Cultural Identification, Taipei: Council for Cultural Affairs, 1997, pp. 17-28.
4. Po-Ting, Lin. “The Activities of Artist Groups during Japanese Colonial Rule.” What Is Taiwan? Collected Papers of Modern Taiwanese Art and Cultural Identification, Taipei: Council for Cultural Affairs, 1997, pp. 231-242.
5. Chi-Hui, Huang. “War and Art: Art Activities and Painting Styles during 1937 - 1945 in Taiwan” What Is Taiwan? Collected Papers of Modern Taiwanese Art and Cultural Identification, Taipei: Council for Cultural Affairs, 1997, pp. 265-289.
6. Chuan-Ying, Yen. A Chronology of Important Art Events in Taiwan, Taipei: Hsiung Shih, 1998.
7. Lifa, Shaih. Taiwanese Art Movement under Japanese Ruling. Taipei: Artist Magazine, 1998.
8. Jin-Yuan, Liao. “The Sendan Group - Painter Gobara Koto.” Artist Magazine, 299 (2000.04) pp. 388-400.
9. Chuan-ing, Yen, translator. The Mood of Landscape: Modern Taiwanese Art Literature Study Guide. Taipei: Hsiung Shih, 2001.
10. Qingshui liu ran ju: Yang Zhaojia liu zhen ji, edited by Chang Yen-Hsien and Chen Tsun-Shing, Taipei: Wu San-lien Foundation for Taiwan Historical Materials, 2003.
11. Zhao-Jia, Yang. The Memoirs of Yang Zhao-Jia. Taipei: Sanmin, 2004.
12. Chen-Ching, Lin. Explore and Discover: Taiwanese Art History in Microcosm. Taipei: Bo Young Cultural Co., 2014.
13. Recreating Chiayi the Capital of Painting ‧ 2015 - New Look Exhibition of the Chun Meng Painting Society and Ink-and-color Paintings, edited by Fang Chien-Ju, Chiayi: Cultural Affairs Bureau, Chiayi City, 2015.
14. Min-Shyan, Lim. “Aggregation & Blooming: Artists Groups and the Development of Fine Arts in Taiwan,” in Aggregation & Blooming: Artists Groups and the Development of Fine Arts in Taiwan, edited by Tsai Chao-yi, Taichung: National Taiwan Museum of Fine Arts, 2017, pp. 10-43.
15. Song-Nian, Kuo. Home Gazing: My Father Kuo Hsueh-Hu’s Life in Art. Taipei: Marco Polo Press, 2018.
16. Historical Compilation of Artist Groups in Taiwan 1: Artist Groups in Japanese Colonial Period (1895 - 1945), edited by Artist Magazine, Taipei: Artist Magazine, 2019.
17. Lin, Mun-Lee, et al. The Everlasting Bloom: Rediscovering Taiwanese Modern Art. Taipei: National Taipei University of Education, 2020.


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