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United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period
United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period

Publication date: 29 Jun 2021
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

A digital collection of archival documents has been in development over the recent years under the auspices of the Archives of Institute of Taiwan History, Academia Sinica. It includes the profiles of such artists from the preceding generations as Chen Cheng-Po, Yen Hsuei-Long, Chen Chih-Chi, Pu Tian-Sheng, Liu Chi-Hsiang, Kuo Hsueh-Hu in addition to papers of the nature of cultural patronage from Yang Zhao-Jia as well as private collections of works of calligraphy and painting and other historical materials. This article focuses on the activities of important artist groups that Taiwanese painters helped to create during the first half of the 20th century. Through selected private manuscripts, letters and documents, images, newspapers and magazines housed in the Archives, the exploration of interactions between various parties in the history of modern art - including individual artists, the painting groups and their patrons - reveals how the arts and society developing in parallel and prospering in unison!

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V. Conclusion

Lin Xian-tang was not just the leader in a prominent family. He was also an intellectual who accepted traditional Chinese education and a conductor to lead Taiwan Nationalist movement. When Lin was traveling around the world, he observed different places and gained a lot of experience. He was well represented among the group of Taiwanese who were desperate to learn from other countries in order to pursue modernity. After Lin went back, he wrote down his travel experience and titled his serial essays as The Voyage around the World, which were published in Taiwan People Newspaper and New Taiwan People Newspaper. In short, things that Lin Xian-tang experienced provide readers a chance to imagine what it would be like in western society. What Lin mentioned can also be a mirror for Taiwan’s society.

‹ IV. Lin’s Footsteps in France up

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