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Listening to the World Locally – The Homecoming Tour of Taiwanese Musicians

Publication date: 20 Aug 2024
Author: Lee Yi-ling, Wang Li-Chiao | Staff member at the Archives of Institute of Taiwan History

Ninety years ago, in August 1934, a group of young Taiwanese musicians embarked on the first Western music concert tour in Taiwan’s history. The Homecoming Concert Tour began with great fanfare during the scorching summer of the South Island, kicking off at the Taipei Medical School Auditorium. With a packed itinerary, the tour traveled southward, stopping at public assembly halls in Hsinchu, Taichung, Changhua, Chiayi, and Tainan, before culminating in a final performance at the Kaohsiung Youth Hall. Despite the demanding schedule, the musicians delivered exquisite piano melodies and harmonies to audiences across Taiwan, sparking widespread acclaim.

This article focuses on Taiwan’s first “Homecoming Concert Tour,” which was rapidly organized in just over a month. The program primarily featured Western musical compositions. During the scorching summer of the South Island, this grand musical feast unfolded with enthusiasm, traveling from north to south with seven performances. It offered audiences across Taiwan an auditory delight, broadened their horizons, and brought Western music closer to the local population. This tour marked the beginning of Taiwan’s musical diversity and led to Taiwan’s music being recognized on the Olympic stage, where Taiwanese music shone brightly on the global scene.

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IV. The equipment and technique of photography that John Thomson applied

The photography technique that John Thomson applied was wet-plate collodion, which was invented by Frederick Scott Archer in 1851. The equipment included a wooden camera, a portable tent to be a dark room, glass plate negatives, collodion and silver nitrate used to be sensitizers and developers. However, walking in the old-growth forest with the equipment was not convenient at all. Hence, John Thomson hired several porters assisting him to take photographs. Since the exposing process of wet-plate collodion took several seconds to 2 minutes, the photographer’s expertise and his interaction with the models were both tested. Surprisingly, there were no serious conflicts between the plain aborigines in Taiwan and western people. It was likely that Dr. Maxwell’s introduction already won the trust from Taiwanese plain aborigines. Therefore, they were calm and comfortable when facing John Thomson’s lens. According to what Thomson wrote in Through China: with a Camera, we can know that Taiwanese plain aborigines were very hospitable.


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