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United in Art— Artist Groups and Their Network of Activities during the Japanese Colonial Period

Publication date: 29 Jun 2021
Author: Jao Tsu-hsien |Staff member of the Archives of Institute of Taiwan History

A digital collection of archival documents has been in development over the recent years under the auspices of the Archives of Institute of Taiwan History, Academia Sinica. It includes the profiles of such artists from the preceding generations as Chen Cheng-Po, Yen Hsuei-Long, Chen Chih-Chi, Pu Tian-Sheng, Liu Chi-Hsiang, Kuo Hsueh-Hu in addition to papers of the nature of cultural patronage from Yang Zhao-Jia as well as private collections of works of calligraphy and painting and other historical materials. This article focuses on the activities of important artist groups that Taiwanese painters helped to create during the first half of the 20th century. Through selected private manuscripts, letters and documents, images, newspapers and magazines housed in the Archives, the exploration of interactions between various parties in the history of modern art - including individual artists, the painting groups and their patrons - reveals how the arts and society developing in parallel and prospering in unison!

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I. John Thomson’s background

John Thomson was born in Edinburgh, Scotland in 1837. He was an apprentice of an optical instrument manufacturer in his early years. During the time of being an apprentice, he had learned the techniques of photography, which was helpful for him to document what he saw in different societies. Like many ambitious young Scottish people, John Thomson longed for Asian world. Therefore, in his age of 25, he went to Singapore with his brother, who had the profession of photography and watch manufacturing, and managed precision instrument, nautical equipment, and optical instrument businesses together. In addition to that, John Thomson established his own photography studio in Singapore and then started to visit neighboring countries, documenting locals’ daily life via photos and words. In 1866, He went back to Edinburgh and published his photographs taken in Siam and Cambodia. In the same year, he was elected as a fellow of the Royal Geographical Society. In early 1867, he published his first photography portfolio The Antiquities of Cambodia and then went back to Singapore in the same year. In 1869, he moved to Hong Kong, where he established a new studio and started to document the diversity of Chinese society. He met the Presbyterian missionary Dr. James Laidlaw Maxwell in Xiamen and heard interesting stories about the aboriginal peoples in Taiwan from him. Because of this, he visited Formosa (Taiwan) with Dr. Maxwell and began his adventure.


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